Gambia's Ritual Wooden Masks
Culture & Traditions Dance Masquerades Music
masks represent a distinct symbolic attribute and cultural
significance depending on the ethnic
group who uses it and it plays and important role in certain
tribal ceremonies, harvest time and rites
of passage. This is true of many mask ceremonies in Africa.
As in many other African societies they play a much lesser role
in Gambian daily life especially with the advent of Islam
& Christianity which
forbids idol worship.
Many tribes attach a symbolic meaning to masks and furthermore
ascribe supernatural, magical powers to many of them as representing
a spirit or deity such as the Dogon Tribe of Mali. These are not
the wooden carved masks sold by sculptors in tourist craft
markets in Senegambia, for which not much spiritual value
is placed, but are the types reserved for purely ceremonial purposes
which rarely go on sale. They are passed down from generation
to generation. They are used in various rites
of passage such as circumcision
and weddings as well as representing
a form of ancestral worship in local Gambian villages.
Some masks represent animistic fetishes such as the Jola's
Jalang which is supposed to have magical powers which can alter
future events. Sometimes a shrine is constructed for them and
they would be consulted like an oracle over important decisions
about the villages affairs. Such works are normally made by particular
castes of people belonging to certain tribes and their very grotesque
nature represents no value except the spititual significance meaning.
Where to Find Them:
Such creations can be found at at most tourist craft stalls but
to find real variety you should try either the Brikama
woodcarvers Market, Albert Market in Banjul,
Bakau or the craft shops along
Sayer Jobe Avenue in Serrekunda.
There are also a number of shops selling genuine antique wood
masks as well at other ritual objects such as the African Living
Art Centre in Fajara. The tribal
group who specialise in wooden crafts are the Sowe, Lobeh, Janha,
Sarr and Njie families whose works can be seen at Brikama.
Ritual Uses of Masks:
of the rites of passage ceremony for Mandingo
boys in The Gambia, West Africa, ends with the young men wearing
the wooden carved masks of the elements they would like to be
imbued with when they become fully grown adults. It is the very
three dimensional way the mask is made and its various textured
forms that indicate what kind of supernatural spirit occupies
it. In Africa there are different kinds of masks with different
values placed on each one such as the birth mask or the one that
indicates the coming harvest. Historically they were also worn
by some warriors to protect them in time of battle against any
physical harm from spears and arrows. Chiefs would use them when
passing new laws and regulations as such was the respect people
had for them they would obey. They also served the purpose of
reminding people of their rules of society as well as acting as
a spiritual arbiter in cases involving village disputes.
are some who are of the belief that masks are made by spirits
who wish to occupy them. Such is the power that it holds on certain
societies that sometimes only men may look upon them and sometimes
only the person who carved them. They are often worn by a performer
who is held by their power while performed a masked dance. However,
such are their uses that they can be created for entertainment
and anybody can view them. The older and more damaged the mask
the less it is valued as a symbol as it is believed that the spirit
would move on to find another host and these are the artifacts
to be found on display in museums around the world.
Apart from the face masks there are also types worn around the
waist and down to the feet. They can often be made having a combination
of human and animal characteristics in order to connect the power
of the animal concerned with the human world.
How Wooden Masks are Made:
One single piece of unblemished wood is used which is then left
out in the open to cure. It could be hardwood or rosewood. Work
begins as the log is rough shaped using an axe then its features
are defined using a chisel and finally it is smoothed using sandpaper.
In some methods the final step is to apply several coats of varnish,
plant pigmentation or powder from burnt wood.
Such symbols are not only made of wood but also can include animal
hides, wood, plant fibres and people's hair in order to connect
the spirits to the human world.